This project aims to redefine the concept of space by incorporating the building's mass, even if it is entirely underground. When visitors enter from Exposition Park or the intersection of Wilson and Av. 9 de Diciembre, they will immediately recognize that they are traversing the roof of a structure, rather than just a plaza. To evoke a sense of autonomy, the building is designed to remain somewhat detached from the site's edges, which consist of excavated terrain. Drawing inspiration from African churches carved directly from solid rock, the design focuses on creating a negative space that provides ample room for natural light and ventilation. Two linear courtyards outline a layout that runs parallel to Wilson Blvd., giving the building a clear presence. This project is not intended to disappear, but rather to establish itself as a new form of ground—a sunken structure that seamlessly connects the existing MALI with the flow of pedestrian traffic while maintaining its distinct identity.

The project functions as a negative plinth, designed to address an urban challenge rather than merely creating a standalone structure. By introducing a pedestrian access to an underground passage beneath the street, it fosters connectivity between Exposition Park and Dammert Park. This circulation pathway, running parallel to the existing MALI building, provides park-goers and museum visitors with clear orientation and direction.